Testimonials: Internet

What the Heck is PLEK?

Ted Drozdowski on www.gibson.com

New Gibson guitars have a reputation for dialed-in, off-the-shelf playability. To fine-tune and assure that highly desirably quality, Gibson has invested in state-of-the-art fret-dressing PLEK machines. The first two arrived at the Gibson Custom Shop in 2006, but as of this year every instrument built by both Gibson USA and the Custom Shop will benefit from the PLEKing process.

The best way to experience the results of the PLEK process is to visit your favorite music retail shop, pull any new Gibson guitar or bass off the wall, plug it in and play. But there's a lot of history and technical precision behind that instant playability.....

The goal of the PLEK process ... is to guarantee the best possible string action for each instrument. Simply put, a guitar with optimized playability sounds better. The strings do not strike the frets during playing and any intonation problems that may occur due to too-low string action are eliminated. Similarly, action that's too high is also a thing of the past with PLEKing.

The PLEKing process is done by CNC (computer numerical control) machines, which use microprocessors to perform their tasks. That doesn't mean human craftspeople are excluded from this process. The PLEK machine is ultimately a tool to reduce variances between guitars, which allows Gibson's expert builders to do their jobs more efficiently.

At Gibson's USA plant and Custom Shop, PLEK machines are located on the former sites of the fret filing departments. Every guitar is adjusted and set - that is, leveled and dressed - using the machines. The PLEK devices are remarkably self-contained: glass boxes with armatures and other mechanisms to run their cutting tools and measuring devices over the guitars. Gibson has created software templates for every model, and each machine takes about 10 minutes per guitar to work its magic.

Gibson's first PLEK machines were initially used only for the Vintage Original Spec series, but the accuracy of their fret and nut profiling made them an immediate hit. They are the ultimate fret filers. Gibson makes custom braces to seat the guitars in the machines. The truss rod on each guitar is adjusted prior to being placed in a PLEK machine by using the STS module, a string tension simulator that supplements the PLEK machines. Then the guitar enters the PLEK device and the machine simulates the string tension again while scanning the frets. The machine's on-board computer takes a 3-D graphic look at the fretboard surface, including the simulated position and height of the strings.

The machine's operator uses a Virtual Fret Dress menu to determine how much needs to be cut off from each fret and to set the fretboard radius and amount of fall-off suited for the instrument. The graph allows the operator to see the height of each fret, how high each fret will be after processing and - pre-PLEKing - where fretboard buzzes could occur because of frets being too high or too low.

When all the parameters for processing are determined, the frets and nut are cut to those parameters. The PLEK machines continue to simulate string tension as they adjust and file the frets and trim the nut. The machines can peel off just a thousandth of an inch if that is all that's required.When the PLEK machine has completed its cycle the guitar rejoins the manufacturing line and all that's left is to hand polish the frets to a high gloss in the neck prep department.

Gibson's PLEK machines also provide an added value for customers, since the aftermarket cost of a guitar's ride on a PLEK machine at a repair shop can be as much as $300.



The Plek Trek: can the best be made better? - Article extract by Proteus on The Gretsch Pages, May 2010

...What I HADN'T expected was how the responsiveness and playability of the entire guitar is enhanced. I think most guitars – particularly those played by those of us who go for the lowest action we can reasonably get – have areas of the fretboard where we know to go easy, because certain notes will choke if we play too hard.

I suspect we all adapt subconsciously to each guitar's unique pattern of such idiosyncrasies, eventually without even knowing we're doing it. We know how far we can bend here and there, which voicings to avoid, where we have to go easy.

When all those anomalies are just gone, the entire fretboard opens up. The guitar rings like a piano at every fret, every note. You don't have to steer around potholes or avoid the shallows. Nothing chokes anywhere, so notes you'd have avoided (like above the 14th fret on the lower strings) are now useful.

You find the guitar more responsive. It doesn't choke. Bend away. Pick more dynamically. The guitar actually becomes completely itself, like it can now express its full potential....

In other words, you lose all setup or action-related excuses: the guitar no longer inhibits you in any way.

It must be something like the pampered treatment women get at day spas.

Is it worth the money? For a guitar you want to play as well as it possibly can, in a heartbeat. Won't matter what you PAID for the guitar either. If you like the guitar enough to want it to be "all it can be," a fine Plek job seems a bargain. .


The Gear Page forum (April 24th 2005)  - Plek Job by Philtone

What is a Plek? Think of it as a super microscope measuring device that completely maps out the frets, finger board, neck twist, etc. and provides the luthier with computerized views of how to make corrections such that a balance can be obtained relative to playability, string vibration, etc. This is my interpretation of this as I watched my #1 being worked by the machine....

I cannot express how picky I am on my setups. I like the lowest action possible, yet I stretch the you-know-what out of my strings (these two priorities are always at odds with each other) I demand maximum sustain and tone and do not like compromise. I just got my Plek job (I will refer to this as a "PJ" lol) yesterday and had a 4-hour gig last night.

.... Was my PJ worth the money? Are you kidding me? This was the best investment I have ever made in an instrument.


Fretbase.com's News Section (August 15th, 2008) - The Plek Machine: Highly Recommended

"I had my Gibson Les Paul setup on a Plek machine at Gary Brawer's shop in San Francisco back in 2004. Without a doubt the Plek job took my LP to another level. The action is low and perfect and only after 4 years of lots of playing and grinding did I need to take my guitar back in for some *light* touch up work.

I highly recommend this setup for your axe. Unfortunately there are only a few places in the US right now where you can take your guitar in to get this kind of setup. Check out Plek's website to find the nearest Plek machine."


ESP Guitars Message Board (December 22nd, 2002) – "THE ESP LTD EC-1000 DELUXE"

  • "The faultless evaluation also refers to the playability of the EC-1000. The extra jumbo frets are well dressed and highly polished. Together with the great adjusted bridge and a fine notched nut, it had a string height of 1.2mm (3/64") with no fret buzz at all!" (Translation of a Test in a German Guitar Magazine, with translators comment)
  • "P.S.: I found out, that the EC was probably sent to a plek-center, before being sent to the magazine. So that's why the setup was so good in the test. I heard that many distributors do that to get a good test result in playability and so they sell more. I heard now from up to 10 people that the setup of the EC isn't perfect as mentioned in the test." (translators comment)

Harmony Central (July 31st, 2001) – "New Fret Dressing Technology at Summer NAMM"

  • "The international area at Summer NAMM doesn't often draw a lot of attention, but at this year's Nashville NAMM show, a curious piece of machinery called the "plek" caught our attention."
  • "This oddity was courtesy of a German company that also goes by the name plek, and it was performing a commonly needed task of fret dressing. Aiming to bring high precision to what is otherwise a bit of an art, the plek is a computer controlled machine that carefully measures the fret and fretboard height underneath each string (it actually pushes the string aside slightly so they don't need to be removed, maintaining the tension on the neck)."

» www.harmony-central.com

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